|
Fally Ipupa Live at New
York City's Manhattan Center - December 30, 2006
Concert report by New
York's 'Bikutsi 1'. Photography by William
Farrington |
|
 |
| One of the new generation Congolese singers
who has received quite a lot of focus this past year has been Fally
Ipupa, who made his name with Koffi Olomide's Quartier Latin and most
recently released
his solo debut in 2006 entitled "Droit Chemin". The
album generated quite a buzz amid
Congolese music circles and included a strong element of R&B and
additional cross over appeal. On December 30, 2006 New Yorkers were
treated to a live concert by Fally Ipupa at the prestigious Manhattan
Center. |
|
| |
|
|
 |
 |
|
Fally Ipupa |
|
| Fally brought with him dancers and
an atalaku
from Paris and worked directly with New
York based musicians including members of the
Soukous Stars band -
Ngouma
Lokito, Shiko Mawatu, Isaac
Katalay as well as veteran guitarist Dominic Kanza, who has assisted
Papa Wemba during several of his U.S. tours. The group
wisely spent several days prior to the performance rehearsing in New York City so that the arrangements were
quite tight, following the song / music structure of Fally Ipupa's recent solo release, and
on some numbers concluding with scorching sebenes. Following is a report from one
concert attendee: |
|
| |
|
|
Ngouma
Lokito, Dominic Kanza &
Shiko Mawatu on guitar |
|
|
Isaac
Katalay |
|
|
|
|
| "The event
took place at the Hamerstein Ballroom's upper auditorium which is a very
regal theater with lush mood lighting by the large stage. Seats were
cleared out of the first floor, a large central dance floor was set
up, and large round tables were placed around the dance floor. The
production: band, music, venue and sound was very well done. Members of
the Soukous Stars band - Nguoma, Shiko, Isaac joined by Dominic Kanza
played several rumbas to warm the audience up. Then Fally joined the
stage for a long set of his own signature style music.
|
| |
|
|
 |
 |
|
 |
 |
| |
|
| The show started around midnight and music went for several hours, many
of the audience trickled in by midnight despite doors opening at 8pm as
has become unfortunate custom. Fally was
joined by two female singers/dancers and an atalaku, I believe all four
were brought in from Europe as I did not recognize them from the local
scene. Fally performed most of the songs
from his latest release and also participated in some extended dance sebenes which delighted many members of the audience. The audience,
pressed up to the gates in front of the stage, were ecstatic with Fally.
His vocals were excellent, he had very good poise and
communicated well to the crowd - mostly females flocked to the front.
|
|
| |
|
|
 |
| |
|
| The backing
band, which had wisely rehearsed with Fally leading up to the show, did
a good job mimicking the sound of Fally's solo release and I was
pleasantly surprised that it did not seem thrown together as I had
worried given that this was a group that did not regularly perform with
Fally. It seemed a more successful musical backing effort than the Kanda
Bongo Man shows from last summer. This was probably because many of the
songs were slower, stripped down rumbas that focused on guitar,
percussion and Fally's vocals and this the band could do well and at the
same time showcase Fally. At one point Fally gave the audience the
option - dance music or singing music. |
| |
|
|
 |
 |
|
 |
 |
| |
|
| The
audience first chose dance music which resulted in a hard hitting sebene, Fally and the 2 dancers did a very animated routine which the crowd loved. I could tell
though that Fally was eager to shift to more of a rumba song as after a
bit of that he gestured to the musicians to slow down the tempo and then
again asked the audience "What do you want, dance music or singing music?"
- and this time before the audience could answer he responded "singing music" and,
after deciding for himself the band
launched into a slower ballad followed by more rumbas. All in all it was an excellent
event and we are eager to hopefully catch Fally Ipupa again performing on his
next visit. |
| |
|
|